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Native American Art Review, 2002.
This paper analyzes the art review of a Native American art exhibit at the American Craft Museum.
982 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
This paper discusses ?Changing Hands?, an art review of a major Native American art exhibit at the American Craft Museum by critic David Revere McFadden. It opens with an overview of the exhibit itself and its highlights. The review, and the critic?s ?authority? to report on the exhibit are then discussed. Finally, there is a commentary of the effect the critic?s piece has upon one?s desire to view the exhibit.
From the Paper
"Changing Hands, the exhibit features several art forms of Native America. The artists who have displayed their work have given examples of both traditional and more contemporary pieces ? for example a reconstructed earthenware vessel of the type that might have been used centuries ago for water or other liquids. The several art forms shown by the Changing Hands exhibit include wool rug and vegetable dye; gold bracelet work inlaid with larimar, lapis lazuli,sugulited, shell, coral, obsidian and opal; earthenware sculpture; an acrylic collage on wood; glass and copper vase; cottonwood root sculpture; leather beltwork of silver, coral, turquoise, and serpentine; coral necklace with gold and pearls; pendants of gold, wood, silver, coral, turquoise, opal, shell, and lapis lazuli; earthenware canteens and jugs; hinged silver buckles; earthenware tiles of sand, copper, and oil on a wooden panel; sand media on wood."
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"Dance Hall of the Dead", 2002.
A review of Tony Hillerman's book "Dance Hall of the Dead" with an emphasis on Zuni and Navajo spiritual practices.
3,380 words (approx. 13.5 pages), 8 sources, MLA, $ 96.95
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Abstract
This paper examines Tony Hillerman's book "Dance Hall of the Dead"about a Navajo policeman who investigates the murder of a young Zuni. It discusses how no one, outside an initiated practitioner in a Native American religion can really comprehend the true significance of its beliefs and rituals and how Hillerman in this novel makes an excellent beginning in differentiating between spiritual beliefs of Zuni and Navajo. It shows how the Zuni religion can be seen to be extensively different from the religion of the Navajo's in the two tribes' rituals, burial practices and beliefs in an afterlife. It uses outside sources to confirm and expand on the understanding of these varied spiritual practices.
From the Paper
"For the Navajo, spirituality permeates all areas of life and is rooted in nature. Daily life proceeds upon Mother Earth and under Father Sky. There is no word for religion in the Navajo language, not because there is no religion, but because religion is not separate from life. There is nothing but religion, otherwise known as life among the Dineh, or the People. Rituals, prayers, legends and songs, are scarcely ever out of their minds. The Navajo create sand paintings and hold sings such as the Enemy Way, the Blessing Way, the Flint Way and the Mountain Top Way to cure illness and to help them surmount the problems of life on earth (Waters 248-249). From the Navajo point of view, as Frank Waters puts it, ?religion is the way of life? (Waters 396)."
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Cherokee History: The Trail of Tears, 2002.
This paper discusses the background, detail and the aftermath of the foreceful eviction of the Cherokee tribe from its ancestoral lands in 1838, an event known as the "Trail of Tears."
2,075 words (approx. 8.3 pages), 6 sources, APA, $ 65.95
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Abstract
The paper introduces the Cherokee - one of the largest tribes of Native Americans in the United States. It shows how their survival is a tribute to their remarkable resistance since in the harsh winter of 1838 and 1839, the entire Cherokee tribe was threatened with extinction during an event that is known as ?The Trail of Tears.? The paper examines one of the darkest moments in American history, when the Federal troops under the orders of the United States government forcibly evicted the entire Cherokee tribe from their ancestral lands in Georgia to Oklahoma during a cruel 1000 mile forced journey. Out of a total of 16,000 Cherokee people, over 4000 men, women, and children died of hunger, disease, and exposure to the elements on the trail. The paper discusses how "The Trail of Tears" symbolizes the callousness with which the United States government treated the Native Americans due to greed and prejudice inherent in human nature. It covers the background, events and aftermath of the "Trail of Tears."
From the Paper
"The Cherokee tribe bravely suffered their ordeal on the Trail of Tears setting to work in their new home. They built homes, schools and churches. They set up a government and named their capital ?Tahlequah? that is still the cultural center of the Cherokees and the source of documented evidence of their history. The Indians were on the way of recovery from their ordeal when another devastating event intervened: The American Civil War. The Cherokees aligned themselves with the Confederacy since the South had promised that when the war was over they would be permitted to form their own state. After having supported the British during the American War of Independence, the Cherokee had again chosen the wrong side. So when the North won the Civil War, the Indians, were duly penalized. Most of their lands guaranteed by previous treaties were taken from them and their sad plight continued."
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The Sioux, 2002.
A look at the history of the Native American Sioux tribe and its position in American society and culture today.
3,104 words (approx. 12.4 pages), 14 sources, APA, $ 90.95
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Abstract
This paper traces the fascinating history of the third largest Native American tribe in America, the Sioux. It shows the way the Sioux have fared socially, culturally and economically as a tribe living among a white majority in the United States. he paper also examines the book, "Land of the Spotted Eagle", by Luther Standing Bear in which he offers an analysis of his people, the Lakota Sioux, including their relations with the white government. Finally, the paper examines the means in which the Sioux, as well as other Native American tribes, are struggling to maintain their cultural identity in America today.
From the Paper
"Various Native American groups have been pressing for greater respect through legal and other efforts to remove Native American symbols and names from schools, sports teams, and even geographical features. The issue was raised recently with reference to the University of North Dakota, whose mascot and team are known as the Fighting Sioux (Brownstein 46). The issue is not always clear-cut. One term that has been given much attention recently is "squaw," a word once used by white settlers to refer to Indian wives and that is found on hundreds of place names in the country, from rivers to valleys to mountain peaks to town names. An example is Squaw Peak, a familiar Phoenix landmark targeted for change by Native American groups. They claim that the word "squaw" is derogatory to tribal members and all other women, pointing out that the word is derived from an Indian word for female genitalia."
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George Caitlin Stories, 2002.
Comparing two books telling the story of George Caitlin, an American writer and painter, in two completely different ways -"Paintbrush & Peacepipe: The Story of George Catlin", by Anne Rockwell and "George Catlin and the Old Frontier", by Harold McCracken
2,795 words (approx. 11.2 pages), 2 sources, MLA, $ 83.95
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Abstract
This paper shows that even though the two books tell the same life story of Caitlin, each one differs most significantly in tone and style according to the vastly different audiences to which each is directed. Rockwell's book was intended for children - less pages and more illustration, whereas McCracken's book presents itself as a very authoritive piece on Caitlin's life in an artbook format.
From the Paper
"The first book, Paintbrush and Peacepipe, 86 small pages in length, with 8 brief chapters and 15 illustrations, is written for children. By comparison, the second book, George Catlin and the Old Frontier, with its 209 oversized pages might seem a vastly superior presentation of George Catlin's biography. The artbook format of McCracken's work, with its 36 color and 118 black and white illustrations, is far more authoritative and detailed in its representation of the scope of Catlin's art. Yet, Paintbrush & Peacepipe, in it's minimalist manner is a highly educational and effective piece of work."
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Joaquin Murieta, 2002.
An analysis of the book "The Life and Adventures of Joaqu?n Murieta, the Celebrated California Bandit," by John Rollin Ridge.
1,779 words (approx. 7.1 pages), 2 sources, MLA, $ 57.95
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Abstract
A discussion and analysis of "The Life and Adventures of Joanquin Murieta, the Celebrated California Bandit", written by Native American Cherokee, John Rollin Ridge, in 1854. The paper discusses the uniqueness of the novel, not only because it was the first book published by a Native American author, but also because it provides a clear picture of what life was like for the "foreigners" during the California Gold Rush. The paper analyzes the book which tells the story of a Mexican-American, Joaquin Murieta, who turns to crime and banditry after being treated badly by the local Californian community.
From the Paper
"Stylistically, the book is certainly full of flowery and romantic language, which was the common writing style at the time. Ridge paints a vivid portrait of Murieta, and life at the time in the gold fields of California. It was a violent time. It was a time when the oppressed needed heroes and Joaqu?n fit the bill perfectly. While Ridge's account can never be called a true history, it is certainly filled with the day-to-day life in the mining camps at the time. If Joaqu?n Murieta ever existed, he certainly existed in the mind of John Rollin Ridge, whose novel brought him vividly to life. While the novel may have its problems, it is an interesting look at California's past, and a worthwhile read for anyone interested in learning more about folklore, and how it gets started."
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