| Papers [1-6] of 1853 :: [Page 1 of 309] | | Go to page : 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 —> | |
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The Black Arts Movement, 2008.
Explores today's black arts movement, which includes music, stage, film, television, literature and the visual arts.
2,310 words (approx. 9.2 pages), 8 sources, MLA, $ 71.95
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Abstract
This paper explains that the black arts movement is an extension of the Harlem renaissance period. The author points out the contributions of black persons to different genres or mediums of the arts in an overall social context. The author also stresses the impact of the black arts movement on all artists, regardless of color, and to the general culture to the extent that today the lines between white and black performers has been successfully blended.
From the Paper
"It was a well known fact that, by the time many young black men reached their early twenties, they had been arrested or came of age during incarceration. Rap reflected this, not just in the music, but in the music labels that were born to promote the industry: Death Row Records; Jive Records, Def Jam; Quannum Projects. All depicted labels that told the contemporary black story, and it wasn't a pretty a story. Black community, who had supported and marched with the Dr. Martin Luther King, Jr., finally began speaking out against the violence message in rap aimed towards black women."
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Dr. Seuss, 2008.
This paper discusses the impact of the illustrations in Dr. Seuss books on the reader.
752 words (approx. 3.0 pages), 2 sources, MLA, $ 26.95
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Abstract
This paper looks at the illustrations within Dr. Seuss books, which have been an essential part of American children's literature for ages. The author of this paper asserts that the artwork within Dr. Suess books tells its own story, emphasizing the story being told, embellishing it and taking the story to another level. Specifically, the author asserts that it is the exacting style of the drawings that urge the reader to look back and forth between the picture and the story, making full use of the mind and the imagination therein. This paper assesses the use of shape, color and contrasts in particular.
From the Paper
"On the pages 'Eat at Skipper Zipp's' the ship with three different colored flags and a strange color smoke rising above it is accessible by walking on a bright orange pier. It's an eye-opening, stark scene but some planks are missing (which are made obvious by the contrasting blue water) and the whales approaching are a shade of blue close to the color of the ocean, which gives a realistic sense of how much marine mammals look like their environment. The pages 'West Beast East Beast' feature beasts that are green with purple hair and purple tails. The lines that make up the tails resemble the weird-looking orange plants on the yellow island. The texture of the "island" looks nearly the same as butter on a previous page."
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Andy Warhol's "16 Jackies", 2008.
This paper discusses how the "16 Jackies" were manipulated by Andy Warhol to portray the emotional detachment of society caused by the mass media.
828 words (approx. 3.3 pages), 4 sources, APA, $ 29.95
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Abstract
The paper explains that Andy Warhol helped make viewers aware of the way that modern imaging affects emotive response. The paper shows how Warhol multiplied the poses of Jackie Kennedy in order to illustrate how the images were repetitive and thus desensitized by the mass media.
From the Paper
"The 16 Jackies by Andy Warhol was created after the assassination of John F. Kennedy's assassination in 1963. The 16 images presented in the series are merely reflecting four different poses of Jackie Kennedy before and after the death of her husband, the president. The four images (from top to bottom) reflect Jackie coming into Love Field in Dallas, Texas, after the flight; the next image is Jackie at the swearing in ceremony of Lyndon B. Johnson after JFK's death; Jackie grieving at the capitol; and finally, Jackie smiling in the car right before JFK was assassinated. With each image there are three duplicates that simply follow a repetitious sequence, much like one would see in a film roll. In this manner, the images are stacked upon one another, yet they all reflect a similar pose that depict Jackie at various stages of experience before and after her husband's death."
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Postmodernism of Resistance and Reaction, 2008.
A review of art works by Hans Hofmann, Damien Hirst and Sherrie Levine and how they portray postmodernism of resistance or postmodernism of reaction.
1,421 words (approx. 5.7 pages), 10 sources, MLA, $ 47.95
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Abstract
This paper discusses the concept of postmodernism of resistance and postmodernism of reaction. It explores this concept and use examples of art to illustrate what is meant by this contrast. The paper describes and discusses art works by Hans Hofmann, Damien Hirst and Sherrie Levine and shows how these artists portrayed postmodernism of resistance or postmodernism of reaction.
From the Paper
"Instead, I would argue that the art world needed to wait another ten years to see true examples of "postmodernism of resistance" - in the form of artwork such as Damien Hirst's, which embodied what has been termed a "striking analogue for the relationship between aesthetic and lived experience" (Hopkins 228). Here was something that was utterly different, in that it was not merely a reaction against the formalism of Modernism. Instead, it embodied a sweeping paradigm shift, relocating art within the paradigm of installation. In so doing, it resists Modernism to the extent that it even places new demands upon the viewer of art - for example, often she must move. Indeed, her movement may inform the meaning of the artwork - something scarcely contemplated in the formalism of Modernism. Moreover, rather than form following function, function becomes irrelevant."
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Kazimir Malevich and Piet Mondrian, 2008.
An examination and comparison of the views of Kasimir Malevich and Piet Mondrian on the relationship between non-objective art and spirituality.
1,308 words (approx. 5.2 pages), 6 sources, MLA, $ 44.95
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Abstract
This paper explains non-objective art and then compares and contrasts how Kazimir Malevich and Piet Mondrian expressed their perceptions of the intimate connection between the spiritual and the non-objective through their writings and their paintings. The author concludes that Malevich tended to link non-objective artwork explicitly with western, organized religion; while Mondrian favored a more diffuse type of spiritualism reminiscent of eastern religions.
Outline
Introduction
Part I: Malevich's "take" on the Relationship between the Spiritual and the Non-Objective
Part II: Mondrian's "take" on the Relationship between the Spiritual and the Non-Objective
From the Paper
"Ultimately, what Malevich was really after - certainly in his "Suprematist" work - was to strive after something more ethereal and to leave the "earth" behind. Suffice it to say, this striving after the metaphysical, along with the perception that non-objective art could uncover a new kind of logic, hearkens back to spirituality in the sense that religion also demands that people disassociate themselves from the flesh, live for the world beyond this one, and put their trust not in humanism or in common logic but in a faith or "beyond reason-ness" that relies on intuition more so than anything else."
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The Skill of Photography, 2008.
This paper discusses the benefits of acquiring the skill of photography.
1,152 words (approx. 4.6 pages), 5 sources, MLA, $ 39.95
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Abstract
The paper relates that photography is a skill that anyone can learn. The paper advises the use of a cheap camera and a little time in order to acquire the skill. The paper shows the importance of photography by referring to the quote about a picture being worth more than a thousand words.
Outline:
Why Learn the Skill of Photography
Techniques in Taking Quality Pictures
From the Paper
"An old saying is that a picture is worth more than a thousand words. Why? A picture can catch memories that might be forgotten otherwise, a picture can be used as evidence in courtrooms or when filing insurance after a fire and/or a picture can be used when discussing life with families or friends. Sitting down and looking at a scrapbook of photos creates a bond with loved ones or friends. Ever want to describe an experience that happened in life? Photographs are great ways to describe the experience and even the emotion of the experience. Photography is a skill that is simple to learn and it is one that does not cost a lot of money. "
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